MeshMaxConcurrentRequests – The new RenderVolumeLOD that’s killing what SL looks like for some

(No this is not an April Fool’s Post. :) Didn’t realize it was April 1st today).

EDIT October 17, 2013: Further research has changed my perception of the cause of the issue I was seeing. It is I believe related to the meshmaxconcurrent setting and another debug setting, but the solution is more nuanced than either maxing or mining them. Working on a new blog, leaving this one here for a reason:

Bad documentation… Techies: If you don’t write docs, or write bad docs, people will look at things and use common language to define them.

Mesh max concurrent: maximum mesh concurrently existing. Makes language sense. BUT that is not what it actually means in SL… it actually means ‘number that will go into the download pipe at the same time’ as in: how many lanes wide is the freeway bridge – that is your pipe. How many cars on the bridge at the same time – that is this setting.

- But that is not the plain English way to read it…

Corrected blog:
http://catnapkitty.wordpress.com/2013/10/17/meshmaxconcurrentrequests-texturefetchconcurrency-http-textures-texture-thrashing-and-why-isnt-my-stuff-rezzing-yet/

ALMOST EVERYTHING written below is wrong about how this thing works. Why leave it here? Because

  1. I wrote it and I find people drama-freak when I delete mistakes claiming I’m trying to hide things… and
  2. What is below is a common misconception of the issue. I’m leaving this here as a warning to techies: use terminology that makes plain language sense, or risk non-techies reading your words using a dictionary and not a computer-science degree…
    – I deal with that myself all the time as a political scientist with terms like ‘minority’ or ‘redistribution of wealth’ that have meanings which are very different from what a dictionary will tell you. The situation below: is what happens when techies use their inside terminology to outsiders.

EDITED to take into account what was stated in the third comment. Looked a little further into it after that.

Ever see people who look like this:

That’s not your graphics card failing, its not SL failing, its not your viewer failing, its not you failing, its not them failing.

Its on Linden Lab this time.

Its most likely about MeshMaxConcurrentRequests, an obscure setting that determines how many mesh items can be downloaded and rendered at the same time. Maybe not a total, but rather like bandwidth: number of items it will grab at once… and its chocked from not enough feeds in and one getting stalled.

Why?

Because mesh these days is super common. Like fleas on a dog, its rampant and out of control.

Because its good. People love it. It looks super sharp. You might hate it, but most are using it. Over 97% of people can see it now, but I suspect most of them have never even heard of this.

Linden Lab, when they put out mesh, decided nobody would ever really care for it. We know from their mouth they never expected [much or any] mesh clothing… (/facepalm)… and that’s what its mostly for now…

So they set the default for how many mesh items to stream in at once to a really low number.

32

Yeah…

The problem is that the method often stalls, and when it stalls on something it will often never bother to make a second check. Why? Not sure. My guess is you run out of ‘lines’ before you run out of items – and so nothing ever ‘goes looking for something to do’. So in a room of 300 mesh items (not unusual if you think about it), your 31st line stalls out, line 32 doesn’t go look at it, but moves to item 32. Line 1 comes back after done with the first item and moves to the 33rd item…

Do prims or sculpties or textures do this? Work on an easily choked stream? I don’t know…

I suspect that if you could only get 32 prims at a time. Or 32 sculpties even. Or 32 textures… they might often fail to ever appear as well… Or maybe they just have a method that isn’t stall/choke prone…

FAIL
FAIL

Most people have heard of renderVolumeLOD. Its that setting that says you can’t see sculpties unless they’re glued to your avatar’s eyes. The default for that has been 1.25 or something since Sculpties first came out, and if anyone actually leaves it there, SL looks horrible.

Well that’s happening all over again now, with MeshMaxConcurrentRequests.

The fix is easy:

Go into debug settings:

Change that 32:
MeshMaxConcurrentRequests Default of 32
To something really high:
MeshMaxConcurrentRequests Set To 145
Note that even this high, 145. I -STILL- find myself regularly in places where the 146th mesh item fails to show up… because yeah, mesh really IS that common now…

But I keep upping this number, and it hasn’t hurt my speed yet. No idea yet how high we can go… but we all need to go a little higher.


Mesh is here now, and its everywhere, and we all want our SL to look nice. Changing this setting will let you see SL as it exists today. Leaving it at 32 means you’re going to miss a lot of content when those stalls and chokes happen. There in my SL home, most of the furniture is now mesh. Every day more and more people are replacing older content with mesh. You’re looking at at least 19 mesh items in this highly cropped photo. The full render was a LOT more, plus a ton of them all around above, below, and in front of me.

The 32 value just will not do as a default. But given how Linden Lab still has yet to fix RenderVolumeLOD, don’t expect them to fix this one either, even if it means already most newbies are seeing an SL that is half invisible…

The counter might be that going too high means you over burden your bandwidth by telling it to focus way too much on mesh. But it appears that if you have a whole lot of lines open, and say… number 31 does choke on its item, then when you’ve grabbed up the last mesh item, the next line in the list gets back and gets item 31… I’ve read that this choke / stall issue was fixed a year ago. But mesh is still often failing to show up. And adjusting this -does- fix that…

About Rastafari – a notecard now available in SL

I put together a notecard in Second Life on Rastafari, and have placed it into all of the many Rasta and Haile Selassie Posters I have there. It is available at this church here:
Rastafari church in second life
Ethiopian Rastafarian Church in Second Life
In the Lion of Judah sign above the entrance, and on a Selassie painting inside the door. Just click on either of them to get it. Or read below:


ORIGINS:

The Rastafari movement, or Rasta, is a spiritual movement that arose in the 1930s in Jamaica, out of the teachings and prophesy of Marcus Garvey.

Rastafari adherents revere Haile Selassie I, 225th in the line of King Solomon, King of Kings and Lion of Judah, Emperor of Ethiopia (ruled 1930–1974), as Yeshua incarnate, the Second Advent, or the reincarnation of Yeshua Christ.

Members of the Rastafari movement are known as Rastas, or Rastafari. The movement is sometimes referred to as “Rastafarianism”, but this term is considered derogatory and offensive by some Rastas, who, being highly critical of “isms” (which they see as a typical part of “Babylon culture”), dislike being labelled as an “ism” themselves.

The name Rastafari is taken from Ras Tafari, the pre-regnal title of Haile Selassie I, composed of Amharic Ras (literally “Head”, an Ethiopian title equivalent to Duke), and Haile Selassie’s pre-regnal given name, Tafari. Rastafari are generally distinguished for asserting the doctrine that Haile Selassie I, the former and final Emperor of Ethiopia, is another incarnation of the Christian God, called Jah. Most see Haile Selassie I as Jah or Jah Rastafari, who is the second coming of Yeshua Christ onto the earth, but to others he is simply Jah’s chosen king on earth.

Many elements of Rastafari reflect its origins in Jamaica, a country with a predominantly Christian culture where 98% of the people were the black African descendants of slaves.

TENETS:

In line with the teachings of the Kebra Negast, telling the story of the removal of the Ark of the covenant from Jerusalem to Ethiopia (where it still resides today) by the Ethiopian King Menelik I, son of King Solomon and Makeda (The Queen of Sheba); Rastas sometimes refer to themselves and Ethiopians as the true Israelites.

Rastafari rejects western society, called Babylon (from the metaphorical Babylon of the Christian New Testament), for its false prophets and materialistic deception, preferring to look back to the Bible to find the true teachings of Yeshua Christ.

Rastafari proclaims Africa (also “Zion”) as the original birthplace of mankind, and from the beginning of the movement the call to repatriation to Africa for the descendants of those slaves forced into exile in the West by the Atlantic slave trade has been a central theme. Rasta also embraces various Afrocentric and Pan-African social and political aspirations, such as the sociopolitical views and teachings of Jamaican publicist, organizer, and black nationalist Marcus Garvey (also often regarded as a prophet).

However Per Haile Selassie’s consistent lifelong message, Rastas are firm adherents to the proposition that in the eyes of Jah, all men and women deserve equal and just rights, treatment and respect. With both King Alpha and his Queen Omega as shining examples, Rasta bredren and sistren (collectively idren) seek to emulate kings and queens according mutual respect and dignity. It is this belief in equality among Rastas that allows race to be overlooked. Simply because one is white does not mean it can not be a Rasta. All people are equal, regardless of race, because all people are children of Jah. In upholding this, Rastas often refer to themselves as African royalty, using honorifics such as Prince or King, Princess or Empress, in order to give royalty to their names.

Rastafari is not a highly organized religion; it is a movement and an ideology. Many Rastas say that it is not a “religion” at all, but a “Way of Life”. Many Rastas do not claim any sect or denomination, and thus encourage one another to find faith and inspiration within themselves.

This view is more in line with first century Christianity and the Apostolic teachings – which strove against central leadership, had no priesthood nor pastors, and found the church as a body of equal people, all of whom had equal status to speak in gatherings, rather than a building or temple. In this way, Rastafari comes closer to original Christianity.

But some do identify strongly with one of the “mansions of Rastafari” — the three most prominent of these being the Nyahbinghi, the Bobo Ashanti and the Twelve Tribes of Israel.

Today, awareness of the Rastafari movement has spread throughout much of the world, largely through interest generated by reggae music, especially the major international success of Jamaican singer/songwriter Bob Marley (1945–1981). By 1997, there were, according to one estimate, around one million Rastafari faithful worldwide. In the 2001 Jamaican census, 24,020 individuals (less than 1 percent of the population) identified themselves as Rastafarians. Other sources have estimated that in the 2000s they formed “about 5 percent of the population” of Jamaica, or have conjectured that “there are perhaps as many as 100,000 Rastafarians in Jamaica”.

SYMBOLISM:

Rastas assert that their original African languages were stolen from them when they were taken into captivity as part of the slave trade, and that English is an imposed colonial language. Their remedy has been the creation of a modified vocabulary and dialect known as “Iyaric”, reflecting their desire to take language forward and to confront the society they call Babylon. To this effect, Rastas revere Patwas, the indigenous dialect of Jamaica, and have incorporated into it a number of terms of a spiritual and or protest nature.

The wearing of dreadlocks is very closely associated with the movement, though not universal among, nor exclusive to, its adherents. Rastas maintain that locks are supported by Leviticus 21:5 (“They shall not make baldness upon their head, neither shall they shave off the corner of their beard, nor make any cuttings in the flesh.”) and the Nazirite vow in Numbers 6:5 (“All the days of the vow of his separation there shall no razor come upon his head: until the days be fulfilled, in the which he separateth himself unto the Lord, he shall be holy, and shall let the locks of the hair of his head grow.”).

The Rastafarian colors of green, gold and red (sometimes also including black) are very commonly sported on Rastafarian flag, badges, posters etc. The green, gold and red are the colors of the Ethiopian flag and show the loyalty Rastafari feel towards the Ethiopian state in the reign of King Selassie. The red, black and green were the colors used to represent Africa by the Marcus Garvey movement. Red is said to signify the blood of martyrs, green the vegetation and beauty of Ethiopia, and gold the wealth of Africa.

The Lion of Judah is an important symbol to Rastas, for several reasons. The lion appears on the Imperial Ethiopian flag, used in Haile Selassie I’s Ethiopia. In addition, the Ge’ez title Mo’a Anbesa Ze’imnegede Yihuda (“Conquering Lion of the Tribe of Judah”) has been applied to Ethiopian Emperors since time immemorial, traditionally beginning with Menelik I, said to be the son of king Solomon (c. 980 BC). The Lion of Judah is also mentioned in the Book of Revelation 5:5, in reference to the returned Messiah.

Rastafari make regular use of the colors, the Lion of Judah, and representations of Haile Selassie in their art and identifying imagery. The colors as well as images of hemp have often been appropriated by outside elements for commercial representations of reggae.

DIET:

Many Rastas eat limited types of meat in accordance with the dietary Laws of the Old Testament; they do not eat shellfish or pork. Others abstain from all meat and flesh whatsoever, asserting that to touch meat is to touch death, and is therefore a violation of the Nazirite vow. Many Rastafari maintain a vegan or vegetarian diet all of the time. Food approved for Rastafari is called ital.

Usage of drugs and alcohol is also highly condemned as unhealthy to the Rastafari way of life, partly because it is seen as a tool of Babylon to confuse people, and partly because placing something that is pickled and fermented within oneself is felt to be much like turning the body (the Temple) into a “cemetery”.

The Rastafari movement encompasses the spiritual use of cannabis (Revelation 22:2, Genesis 1:29, Psalms 104:14, Proverbs 15:17), the first plant to grow on King Solomon’s grave.

For Rastas, smoking cannabis, usually known as herb, weed, sinsemilla (Spanish for ‘without seeds’), or ganja (from the Sanskrit word ganjika, used in ancient India), is a spiritual act, often accompanied by Bible study; they consider it a sacrament that cleans the body and mind, heals the soul, exalts the consciousness, facilitates peacefulness, brings pleasure, and brings them closer to Jah. They often burn the herb when in need of insight from Jah.

According to many Rastas, the illegality of cannabis in many nations is evidence that persecution of Rastafari is a reality. They are not surprised that it is illegal, seeing it as a powerful substance that opens people’s minds to the truth — something the Babylon system, they reason, clearly does not want. They contrast it to alcohol and other drugs, which they feel destroy the mind. This said, it is not necessary to smoke the herb to be Rasta, though it is unusual not to. This blog’s author, Pussycat Catnap, does not use the herb for personal familial reasons.

MUSIC:

Music has long played an integral role in Rastafari, and the connection between the movement and various kinds of music has become well known, due to the international fame of reggae musicians such as Bob Marley and Peter Tosh.

Nyabinghi chants are played at worship ceremonies called grounations, that include drumming, chanting and dancing, along with prayer and ritual smoking of cannabis. The name Nyabinghi comes from an East African movement from the 1850s to the 1950s that was led by people who militarily opposed European imperialism. This form of Nyabinghi was centered around Muhumusa, a healing woman from Uganda who organized resistance against German colonialists. In Jamaica, the concepts of Nyabinghi were appropriated for similar anti-colonial efforts, and it is often danced to invoke the power of Jah against an oppressor.

African music survived slavery because many slaveowners encouraged it as a method of keeping morale high. Afro-Caribbean music arose with the influx of influences from the native peoples of Jamaica, as well as the European slaveowners.

Another style of Rastafari music is called burru drumming, first played in the Parish of Clarendon, Jamaica, and then in West Kingston. Burru was later introduced to the burgeoning Rasta community in Kingston by a Jamaican musician named Count Ossie. He mentored many influential Jamaican ska, rock steady, and reggae musicians. Through his tutelage, they began combining New Orleans R&B, folk mento, jonkanoo, kumina, and revival zion into a unique sound. The burru style, which centers on three drums — the bass, the alto fundeh, and the repeater — would later be copied by hip hop DJs.

Reggae was born amidst poor blacks in Trenchtown, the main ghetto of Kingston, Jamaica, who listened to radio stations from the United States. Jamaican musicians, many of them Rastas, soon blended traditional Jamaican folk music and drumming with American R&B, and jazz into ska, that later developed into reggae under the influence of soul.

Reggae began to enter international consciousness in the early 1970s, and Rastafari mushroomed in popularity internationally, largely due to the fame of Bob Marley, who actively and devoutly preached Rastafari, incorporating Nyabinghi and Rastafarian chanting into his music, lyrics and album covers. Songs like “Rastaman Chant” led to the movement and reggae music being seen as closely intertwined in the consciousness of audiences across the world. Other famous reggae musicians with strong Rastafarian elements in their music include Peter Tosh, Freddie McGregor, Toots & the Maytals, Burning Spear, Black Uhuru, Prince Lincoln Thompson, Bunny Wailer, Prince Far I, Israel Vibration, The Congos, Adrian Nones, Cornell Campbell, Dennis Brown, Snoop Lion and hundreds more.

In the 21st century, Rastafari sentiments are spread through roots reggae and dancehall, subgroups of reggae music, with many of their most important proponents promoting the Rastafari religion, such as Capleton, Sizzla, Anthony B, Barrington Levy, Jah Mason, Pressure, Midnite, Natural Black, Luciano, Cocoa Tea, Jah Cure and Richie Spice. Several of these acts have gained mainstream success and frequently appear on the popular music charts. Most recently artists such as Damian Marley (son of Bob Marley), Alborosie and Million Stylez have blended hip-hop with reggae to re-energize classic Rastafari issues such as social injustice, revolution and the honor and responsibility of parenthood using contemporary musical style.

More reading:
Selected Writings and Speeches of Marcus Garvey
Selected Speeches of Haile Selassie
The Rastafarians
The Abridged Kebra Negast, with stories of Jamaica added.
The Kebra Negast in full, translated into English
The Autobiography of Hailie Selassie, volume 1. or online

Rastafarian.net – the questions and answers on the first page are great

Defining Role-play – response to “Could Second Life expand the LEA model to create a Role Play endowment?”

One day, two blog posts. I think I’ve done this only once before. This one is super short.

Reading:

Prim Perfect Jigsaw: A New Year with Reflections
Could Second Life expand the LEA model to create a Role Play endowment?

The question was posed:
“One immediate difficulty, it seems to me, is identifying role-play. To some extent, one could argue that everyone who takes on an avatar that is not as close as possible a representation of their form in the physical world is taking part in a role-play. However, perhaps one could employ a stricter definition . . .”

So here is what I would see as the definition of Role-play:

It shouldn’t be too hard to quantify role-play.

Role-play is when people gather and play out characters within an unscripted group driven storyline to create, tell, or retell some event or plot-line.

  1. Role-play is not (just) a themed community, but the storyline and the actors.
  2. Role-play is unscripted. There may be a preceding event or premise, and there may be a setting. But the actors involved create the story and plot as they proceed, with each acting or reacting based on the nature of their character and the current events thus far.
  3. Role-play involves the actors assuming characters. They could play a fictional character, a real life historic or current persona, or even a ‘fictional version of themselves’. But they are not ‘being themselves’, even when acting a character that is themselves. Example: What happens to the character “John Malkovich” in the movie “Being John Malkovich” happens to that character, and not to the actor John Malkovich himself.
  4. Role-play has a stage and a scene. The stage is ‘where’ the role-play occurs. It is space the actors carve out to engage in their story, either in private or available for public observation. In SL this is usually a parcel or sim dedicated to the role-play, and primarily private with limited observation of ‘visitors’. The scene defines the time for a story block to be explored. In SL the scene is often ongoing – anytime any 2 or more members enter the stage of the role-play, they can go ‘in character’ thus starting/resuming the scene.
  5. Role-play is confined to the stage and scene, and ends or pauses when the actors leave the stage and scene, to resume when they re-enter. This is one way in which role-play is distinguished from ‘life-styling’ (besides just having a character). While it is a very overstated meme these days, it is ideal for role-play to say:

    What happens in the role-play, stays in the role-play.

Oh, and in the comments to the Prim Perfect blog article, I added my idea for how to structure a ‘Linden Endowment for Role-Play’. Repeated below:

I think the idea of doing something to organize role-play sims would be a great boost for SL.

A committee that could pick role-plays to showcase. A few centralized spots to get info and classes for them (there is already a sim that tries to do some of this, you can go there and get LMs and notecards to a vast array of different RPs. If needed, when I’m next online I will look up where it was… :) ).

And I would say… these places need to get a tier discount. They’re filling half the tables in this restaurant we call SL, and getting billed heavily for it, while the majority of ways they traditionally self-funded have been cut off (/marketplaceanyone?)…

Or even whatever deal LEA gets (does it get one?), should be done for the RPs in this also.

I would go for a:

1 – 4 semi-permanent. The top ones by activity that the committee finds of quality to be showcased (because if we just looked at a traffic score, someone would game their way into this list).

5-9 revolving quarterly. Showcasing the new and/or different. Places that “break the mold” or do something the committee finds of great value or which pushes the art form forward.

10 The “sim” that holds the HQ of all this:
1/4 classrooms with volunteers on a schedule like NCI does.
1/4 a place any role-play that can get approved as being legit can put a picture on a signboard that will give a single notecard and a single LM to anyone who clicks it. A prominent portion of this would be for displays for the 1-9 sims)
1/4 shops that cater to RPers. Half of this reserved for freebies.
1/4 Open / management space.

(So sims 1-9 would be an existing sim somewhere that would get the ‘LERP’ treatment/discount/promotion while its RP retained that position.)

New Theory on SL signups that never seem to join: They’re forum spam bots

Hamlet AU on NwN blog wrote in the comments:
“The AdSense ads for Second Life bring in a ton of new users — trouble is, most of them go away because they can’t be bothered to download a client or figure out how to use SL”

My response is part of a loose theory I am currently mulling over:

Pussycat: “Or they go away because they never arrived.”

I suspect 99% of them are automated spam bots registered for what in the SEO world appears to be an online community with a forum.
– Spam Bots target these with 10s of thousands of account creations per day, on even small forums, just to register sleeper accounts.

Its like a flu infection – the virus sends millions of copies of itself out, assaulting immune systems, and millions of these germs land on you every day. Most of them never doing anything once they get there.

Forum Spam Bots seem to work like that. Creating accounts on open registration systems in the thousands per day with no human involvement.

They will then cycle back months later and post up a random worded post with all kinds of odd phrases compiled together. The purpose of which is to hide what terms in there apply to their actual client, and to make that client’s terms appear to be related to the forum, in order to ‘ride the coattails’ of the forum’s organic search ranking in google and bing.

- It only takes a post or two per week to do this. But you need to get a few hundred thousand accounts injected into a target system in order to hope that the system’s admins fail to catch and ban / delete all of them.

If you’ve ever seen spam that seems to talk about some news item, and then randomly in mid sentence switch to shoes or special medicines or study help or talk as if a friend… but with odd grammar and a few weird words… that’s the spam bots. If you have a blog, you’ve probably seen them in your comments filter. I’d wager they’re about half the comments I get here, which is why I moderate comments here. And my blog has bad SEO…

If the forum or site is run by people who do not know how to look for invalid accounts, or how to recognize the difference, you can easily put in a million or two accounts with no one the wiser…

Where I work in RL, we were up to 250,000 of them before I figured out what they really were, and came up with some patterns among our real customers that let us wipe the database with as low risk as possible of hitting real ones.
– And that was in a span of about 4 months. Being a ‘social scientist’ rather than an IT person (by education, I work in graphic/web arts/design), I see these patterns from a different angle – though I fuddle through the solution implementation part.

LLs / SL has been going for years being run by people who show all the signs of not knowing how to manage a community both in terms or customer relations, security, and awareness of who their customers even are. People who likely do not know how to recognize the difference between a human user and a spam bot. Especially given how quirky some of their real users are (in terms of name and sign-on details) – seeing the difference is not easy.

Consider that SL doesn’t even run Captcha software… although with OCR (my guess), some bots can blast past that now. When we put it on our system, it merely reduced bot accounts from about 10,000 per day down to about 100 – significant, but still a good number getting in. It took a change in our SEO to finally shake the bots. To make our forum no longer look like a forum, while still looking like a forum… :)

(Convoluted… we basically made it look like a branded FAQ page, but left the word forum in place in the link and in our marketing material. We down to about 1-10 spam bots a day now, and they seem to be focused in on specific old user posts -before- they arrive. Google Analytics is handy. Automated tools from the forum service we use knocks these out so I can focus on my real work: putting colors and letters on web stuffz… :p)

So my new theory is that most people who sign up to SL actually enter the world, and stay. Probably only a few dozens per day (but I have no idea on the actual rate of people that create an account and stay).

But most bots that sign up, never enter the world, because they never were even designed to. They are just like ‘bacteria’ crashing up against the walls of the internet, and in this case, getting into the skin… but not further because what they land on is not what they were designed to target.

What I do see inworld, is that people who are day one newbs, quite often become week one newbs, and many even month one newbs. Once they hit this point… I almost think its fair to shift any blame for their loss on the community’s ability to invite them in and socialize with them…
– And I’m suspecting almost half of them reach month one. But I have no data on that. Its just a feeling from what I see looking around in world and the newbs I regularly run across.

The ‘humans’ that signup, by far, actually give it a good try to make it stick. Being past the hype days, more often now they’re slightly dedicated before even hitting the signup page. Its a 10-year old platform now, and the humans who arrive, are more likely now to have looked for it before arriving.

But the spam bots, they just trigger on what web crawling or something leads them to…

So new theory:

Most of the signups are bots. So it makes sense that they never seen to enter the world or ‘stick around’.

Only a small handful are real accounts. A hundred a day might seem dangerously small, but for a 10-year old platform, its pretty good. Most of these actually go inworld, and I suspect most of them stick past a few days.

Kinzart Queotl (Meeroo inspired) Furry Avatar review

Kinzart Queotl

Kinzart Queotl Meeroo
1000L$
+500L$ for optional traits kit.
Mod, Copy, No-Trans
Kinzart Mainstore

Meeroos have been out for quite some time now. Arguably past their prime, at least on the secondary market where the value of the nests is frustratingly low. But they’ve still yet to be unseated by any new trend.

But with that age, it might seem a little strange to see a meeroo inspired furry avatar coming out this late into things. However, the owner of Kinzart is a big fan of Meeroos and this avatar has apparently been on the table for a very long time.
Kinzart Queotl Meeroo
My recommendation is that this avatar is a great addition to a collection, something every Meeroo fan should get, and for many an ideal choice for your main ‘avatar look’. It is one of three that I am aware of. The others include an official ‘Tiny Mesh’ sold by Malevoy themselves, in a design that looks near identical to that of a Tokushi avatar, and a mod kit Meeroo based on the Chinchilla from Curious Inc. The Chinchilla mod kit is very nice as well, but more toonish – so this is a style choice. If you are a Tiny or enjoy the Tiny look, the mesh Tiny would be your choice, though it is not customizable (no-mod and full mesh).

Avatar Features:

Kinzart Queotl Meeroo Parts List
* Full selection of diurnal coats from the Meeroo lines from North America, Egypt, Africa, Japan, and Scotland.
* Trait pack includes ALL optional traits, and is bought by coat.
* Sculpted digitigrade legs
* Sculpted digitigrade feet
* Sculpted digitigrade hand paws – with independently poseable digits.
* Unrigged Mesh Tail (with 4 poses)
* Flexi Tail option
* Unrigged Mesh Ears
* Sculpty head (in 3 pieces for head, upper and lower jaw).
* Prim Eyes.
* UV maps for mesh parts
* Female and male shapes and skins (PG only)
* Unrigged Mesh Hair

Type/Speech responsive ears, jaw
AUC – Automated Update system – used to keep your avatar up to date, and to strip out optional customization scripts.

Impressions:

In general this is a very impressive avatar. A year ago it would have been cutting edge, but the use of sculpties is now dated in furry avatars.
Kinzart Queotl Meeroo
That said everything fits together very well, the coats really look and feel like Meeroos, and the avatar looks the part.

The use of UnRigged mesh for the ears, hair, and tail is ideal. UnRigged mesh, unlike Rigged mesh can be moved and rescaled to your needs, but gives you the high detail quick rendering options of mesh. That the rest is sculpty may be due to the long development time for the avatar.

Unlike the other Meeroo avatar options on the market, the legs and feet here are separate pieces. This makes it very easy to wear jeans with this avatar, and the cut for the foot fits those mesh jeans I have just perfectly. It does however mean that from time to time these parts can bend improperly.

Strong Points:

Kinzart Queotl Meeroo
The texturing is amazingly well done, leaving you feeling like you are on a meeroo. They are arguably better textured than ‘actual meeroos’ – and not just from being larger with more surface area. The skill is just simply top notch with Kinzart textures. The furry market right now to me feels like a race to the top between Kinzart and DSD, with competitors close or far behind (Tokushi is a hard call, but for me, just behind these two – for reasons of style and my personal tastes, which means they may be on top for others. The skill of all three is not to be missed).
Kinzart Queotl Meeroo

As with other recent Kinzart avatars, scripting is top notch and light weight.
Kinzart Queotl Meeroo
I don’t know if this was true in past, but at present Kinzart is a team of people, and the scriptor on that team delivers a solid punch in a very light tap – pressure point scripting so to speak. A few years back some Kinzart furries were so heavy Kinzart themselves notes customers getting tossed out of sims for wearing them. If that’s your memory of Kinzart, you need to go back over there and look at them again. The current avatars, and some updated old ones, are very well done. If you have one of those heavy scripted old avatars, chances are there is an update waiting for you on their sim (To be frank, it was only 1 or 2 of their dragon avatars from what I can find – I have some old kinzarts, and I find them normal for back when I got them – In fact I used to put them on around friends on human avatars and note how ‘even with all these parts going, my entire furry is still lighter scripted than just one of your shoes’).

This avatar is very animal and ‘realistic’ (for a made up animal on a furry). Unlike other Meeroo choices, it is not cartoony and I end up looking at it a long and trying to place what family in the animal kingdom it would fit into (kinda looks related to a kangaroo and a dingo to me). It would be a perfect creature in fantasy and science fiction roleplay in this design.

The head size is proportionately normal. Most newer furries no longer use the giant heads of old. Plenty of human hairs will fit it, but the snout may get in the way of some prims. A few mesh hairs I have tried fit onto it, but the majority have not.

The default shape is very well done, almost fitting the XS standard size of mesh clothes (leg muscles were much higher, but tuning it down didn’t impact the look much). The shoulders on the female here are slightly mannish, being a tiny fraction wider than the hips – but not too noticeable and easily tweaked.

Weaknesses:

The presence of sculpty parts feels dated. The avatar was in development for a very long time, so my guess is these sculpty parts pre-date mesh in SL. There are 3D modeling tools on the market now that will import a sculpty map and let you save out a collada format mesh file. So this could have been fixed, but perhaps only with a lot of work redoing the textures. That said the sculpty maps load pretty fast and I’ve yet to see myself doing that oldstyle furry-rez wait where look at the collapsed head and floating eyeballs and count to 3-billion…
Kinzart Queotl Meeroo
For sculpty, they are seriously well done – and seem to have sharp definition and no odd seams at the curves. See in the comments below – there’s a reason they were not converted to mesh. And zoom in one on of these – the sculpties really are well done. This is only a weakness in that mesh exists now and in theory renders sharper. But these are still some of the best sculpty parts I have seen. I’ve got a weakness section though, and gotta put something in it.

Customization:

This avatar is built to be modded. Right out of the gate the traits kits offered up a collection of ready to go options.
Kinzart Queotl Meeroo Traits
You can see my recent blog on the Kinzart cat for resizing tips. All of which will work here as well.

Hairs will mostly fit the avatar, but will require some minor edit to pull strands out of the eyes or snout. Nothing unusual for many furry avatars. For rigged mesh hair – do demo before buying. Some will work, most will not.

Kinzart Queotl Meeroo HUD Cover
The HUD is typical of Kinzart, simple yet rich on features.
Kinzart Queotl Meeroo HUD Attachment Settings
Ears, tail, eyes, hands, claws, mouth, tongue, etc – all can be customized. A number of elements can be colored from within the HUD.

Kinzart Queotl Meeroo HUD Hands
Note this. Here on the hands part of the HUD, you can give individual poses to each digit. This is one area where Kinzart is clearly ahead of some competition. Some furry avatar makers do this and some do not. Those who do are much appreciated. It may seem trivial, but almost every day on my copy of the Kinzart cat my eye catches the hand poses I use and it just makes the avatar feel ‘alive and homey (lived in).’ All of that is here in the Queotl as well.

Kinzart Queotl Meeroo HUD Colors

Conclusion:

Like the Kinzart Domestic Cat, I have been very happy with this choice. While disappointed in the use of sculpty parts, my overall impression was very position. Enough so that I have bought it 3 times for alts, and have been considering a fourth purchase. If you want a Meeroo avatar or just a unique animal that still looks “familiar” and not too far out there, it is worth getting.
Kinzart Queotl Meeroo

Unlike the cat, it comes in some of the riot colors. Blues and purples and such. This is mostly true to the Meeroos, but there were four special limited coats during pre-release and for 48 hours shortly after launch. One of these was purple, seen in the shots above because it came with both my Phantom and Congo choices. I’m not partial to it, but it was a favorite of the designer. If you like it, there are some blue choices that are similar. And Kinzart hopes to have more coats with time.

Kinzart Domestic Cat Review – and how to resize a Furry Avatar with precision

Kinzart Domestic Cat

Kinzart Domestic Cat

1000L$
Mod, Copy, No-Trans
106507 – Draw Weight
Kinzart Mainstore

The Kinzart vendors selling this avatar come with no info or labeling. It was something of a wild guess at what I would get when buying it – which is something that for 1000L many might not be willing to do. That said, hopefully this review will give folks enough information to make a choice.

My recommendation, is that if you want a cat furry, this is a very solid good buy. The only other “domestic cat” furry I really enjoy using day to day is the DSD Ocelot – a different but similar looking species.

Avatar Features

Kinzart Domestic Cat Package Contents
* Wide selection of natural fur colors
* Male and Female PG skins, tattoo layer for female M.
UnRigged Mesh digitigrade legs
UnRigged Mesh digitigrade foot paws
UnRigged Mesh digitigrade hand paws
Paws have retractable claws.
UnRigged Mesh Tail with 4 position choices
UnRigged Mesh Head, Jaw, Eyes, and Ears.
3 texture choices for nose tip and paw pads – individually settable.

Extra texture maps for some parts.
Type/Speech responsive ears, jaw
– No optional pieces.

AUC – Automated Update system – used to keep your avatar up to date, and to strip out optional customization scripts.
Kinzart Domestic Cat AUC
– Don’t wear it like I did, or it will rez at a funny angle. Its one use once rezzed, so delete the rezzed one when done, and just rez another when you need it again.

Impressions

This is a very impressive cat avatar, and shows Kinzart has come a long way in quality since I last gave them a look some two years ago. Parts fit together well, and move gracefully with my AO – even after a significant resizing (more on that later).
Kinzart Domestic Cat Sitting
They are not quite up to the level with mesh seen in Dark Spot Designs – where you have animated unRigged Mesh in elements such as the rabbit’s foot and leg. But Kinzart is a close second.

The use of UnRigged mesh makes this avatar ideal. UnRigged mesh, unlike Rigged mesh can be moved and rescaled to your needs, but gives you the high detail quick rendering options of mesh.
Kinzart Domestic Cat Sideview
The legs and feet are separate elements. A number of recent furry avatars have fused these into one piece – which presents complications when wearing pants, unless a special foot option is provided. By keeping them to two pieces here, you can wear most pants with just the feet – particularly good with mesh pants. However it also means there is a seam at the join between the leg and foot.

Strong Points:

Kinzart Domestic Cat Front Texture
The cat is very well textured, with a rewarding attention to detail that leaves the fur feeling natural. The choices in colors are broad – covering many cat varieties. The style choice of hair behind the legs and under the tail was off-putting at first, but quickly grew on me.
Kinzart Domestic Cat Back Texture

The script memory is so light as to be non-existent. This is no minor point – this thing is super light weight, even with the HUD going.
Kinzart Domestic Cat Script Info
The avatar looks very catlike, appealing and ‘cute’, but without being cartoony. That is a very difficult balance to strike. In every competing cat I’ve tried, they either look catlike -or- attractively cute by being cartoony. This one just looks like a cat, but not something Dr. Evil would carry around.

The head size is proportionately normal. Not a giant cartoon furry head. As a result, as I note below, it works with human hair, and even fits rigged mesh hair !!!

Weaknesses:

I avoided buying the Kinzart cat at first due to the unanimated mesh tail. I have seen both a mermaid tail and the DSD Rabbit single-piece leg/foot that were capable of motion. I’m a big fan of flex tails for furries as I like to see it flow around as I move about.

That said this is a preference issue and not quality issue – and this mesh tail is amazingly well done. So well done that if I were now offered a flex tail I am unsure if I would want to use it. You cannot get this level of detail out of a flex tail. It would be nice to see some animations in it, but I have no idea if this can be done (the answer, if possible, might be in how the mermaid tail I’ve seen animates, or the DSD bunny’s feet).

I had some trouble lining up the paw pads with the wrist after a resizing. The default female shape of the avatar is 5′ 10″ Agent, 6′ 5″ prim height – which is a tad oversized in today’s era (my prim height is 5′ 4″).

The tattoo layer for female parts is a nice touch and good way to do the M version, but seems blurry. There was no tattoo layer for the male chest, but it can be made by modding the female tattoo to be upper only.

Customization + Resizing a furry avatar the right way:

There is no included head hair with this avatar – but the shape of the head is such that most hairs can easily fit it. Unlike every other furry avatar I have tried, I have even been able to fit rigged mesh hair to this avatar – both before and after resizing it. I’ve rarely seen anyone use the head hair that shipped with a furry. So I list this under customization rather than weakness – this avatar has no need for an included hair, nor even for modding hair you buy. Just shop right alongside your human friends and sigh at the other furries trying to move that last strand into place.

The whiskers use the same attachment point as the head – use ‘add’ when wearing them. They are default white – so you can tint them to match head hair choices.

Kinzart Domestic Cat HUD
The HUD is simple yet rich on features. Ears, tail, eyes, hands, claws, mouth, tongue, etc – all can be customized. A number of elements can be colored from within the HUD.
Kinzart Domestic Cat HUD Page 1
Kinzart Domestic Cat HUD Page 2
The four options for nose and paw pad textures, individually chosen, was a very nice bonus item. Funny how such a little thing helps to add so much character.
Kinzart Domestic Cat HUD Page 3

Resizing by the numbers

The included shape seemed to be a tall version of the Standard Sizes XS – mesh clothes at that size fit me with no pop through. But because of how tall the avatar was, and my own shape being 11 inches shorter, I felt a need to resize when applying my shape.

My first attempt involved selecting all the parts and using stretch – this put everything into the wrong alignment, and was not precise. I then got out the linkset resize script I “sell” (a freebie, and one which is actually put out by the lindens on the wiki, I just package it for convenience). This script works by only needing a single copy in each object (root prim only). You put it into each piece, and then type in chat:

/4 0.842697
(my shape height divided by the avatar’s default shape height equaled that number).

- and it shrinks everything in chat range that you own that has the script by a multiple of that amount. MUCH MORE PRECISE than a touch based resizer.

After doing this I only had to do some minimal movement of parts – putting the head in place to where the eyes were, moving the jaw back into position (take before screenshots to compare), and changing some head and eye shape dials to get the eyes just right.

I then took the script -out- of all the parts, detached them, and wore them again. MAKE SURE TO REMOVE THOSE RESIZER SCRIPTS once done. The free one I put out needs to be removed by hand, deleting it from the contents of the object’s root prim. Not being a touch based script, its more controllable but more manual (I prefer this, touch based scripts make it very hard to walk around in SL – I click the back of my avatar so I can move and mouse turn, and instead I get a pop-up window… /grrr… I’m always having to delete touch scripts or trash no-mod items with them).

The final result, as I hope my screenshots show, was just perfect. Because the default Kinzart Cat also uses the XS stanard size, or something amazingly close – my screenshots still look as the purchased cat will, just shorter.

This same number has been great for changing a lot of my furniture made for giant avatars down to my own scale.
Using the Linkset Resizer Scripts

Conclusion:

Very happy with the avatar at this point. So far it feels just right. Would like to see a little more info about it from Kinzart, and would like to see legs and a tail that lacked the under hair for comparison.

Kinzart Domestic Cat Vendor
Some will be bothered by the lack of ‘green’, ‘purple’, ‘raver glow blue’, and ‘neon magenta’ colors – but I like that the avatar, at least presently, only comes in natural tones. Let those canine freaks go purple and glowing blue. ;)

Cats are proud and should have more dignity than that. :p
Kinzart Domestic Cat Standing

Do Disproportionate Avatars Lead ‘Normal People’ To Leave SL?

EDIT: This is about proportion. Not height save for where it is disproportionate. If you think this is a ‘height police’ article, try to remember the last time someone was denied access to a venue for being too tall. Some folks are using that term, ‘height police’, backwards.
*****

The basic question is: Do the severely disproportionate avatars that make up the majority of Second Life create a low-key alienation that causes people, especially newbies, to leave SL?

In an article on building by scale or eyeballing, the origins of the distorted and wacky stretched avatars in SL came up.
(Ok, the commenter just made a comment about the height, and Penny’s argument that smaller avatars get back more land, then linked to me, so it showed up on my referrers this morning.)

I believe LLs didn’t set the default height – residents did. I could be wrong because if Ruth is a giant, then the blame might rightly be on LLs.

We -CAN- blame them for the horrible anatomy, and the sliders all having the wrong ranges (such as female arms only being normal at 90+). While we can credit them for having given us so much amazing customization, they did it with notable flaws. At the time they started SL, I was in the Poser community and there was keen awareness of anatomy in 3D models. There were a -LOT- of people putting out human meshs. Some for free. Most of them would have -LOVED- to pad their resumes with “I’m the person who made that avatar for SL.” But somehow LLs got a base avatar made by someone who clearly flunked Mrs. Frankenstein’s 7th grade art class. Hmmm…. or maybe that’s the one art class they passed…

As to freakish heights and all the distorted shapes in SL… We residents can hold the blame for that.

People lacking a meter on the editor, and being new and so not knowing to rez a prim. Plus, not knowing what metric means… (my assumptions) people just got it wrong.

My guess is they wanted to be ‘big and cool’ so they slid the dial all the way up. Next person comes along and wants to be ‘bigger and more bad’ so matches, and then slides up the leg slider as well…

And so on, until we hit today were half these avatars have all the dials that can add to height maxed out.

The end result is all of the Baketballer T-rex avatars we have in SL now. Male and females. 99% of them have T-rex arms. If you’re a female avatar above 5’7″ or so, it is impossible to -NOT- have T-rex arms.

But that was 2003, this is 2012. No excuses left. Yet “professional” shape makers are the absolute WORST people in SL at making shapes. The more expensive the shape, the more horrid the anatomy. Want a good super looking and amazing shape? Go grab a rezzday noob, put them in front of Penny’s or my proportion guide (or pad your results and make them read both), then take the result. It’ll be better than 90% of the grid. Even if its tall. :p

Ok… but we know that won’t happen… we have what we have, and it looks horrible and jarring to the eyes.

The alienation issue:
Anyone used to looking at real life art, anatomy, or even with a good eye for visual composition will notice this and end up a bit alienated in SL.

Sometimes I suspect the reason so many people in SL have strange personality quirks is that “normal folks” find SL visually jarring due to how distorted the avatars are. :p
– They see it, but aren’t trained to recognize it, so it gives them a reverse-uncanny-valley effect of alienation, and they don’t realize how easy it is to correct, so they leave after a bit proclaiming other reasons like “SL plays weird.”

We have even Phillips Rosedale claiming we’re all a bunch of sad pathetic freaks. Ok I exaggerate – but his comment was not exactly stellar… And he’s also tried to say SL is successful, but we users have no imagination.

- If we try to parse that out of the way tech geeks speak, which tends to be harsh, blunt, and more critical than they intend (if a tech geek thinks something is mildly dull, they will call it pathetic. Very common among them to over-criticize. You might see me doing that here, and realize that I’ve been working with tech geeks for almost 3 decades now… it rubs off).

What we might end up with is that he thinks SL’s users are a little off from the range of normal. But we also desperately want to be normal. Ie: We’re not proud of what we are.
– But because we have a distorted sense of things, maybe a lot of SL users really -CAN’T- see that their avatars look freakish (see also).

A friend of mine with very strong aspergers has tried to be an artist a few times – but the work always comes out surreal, taking my eye to point out why others are not seeing what was intended. On the other hand some of the most amazing art in history was made by people who were not ‘handicapped’, but actually deranged.
– SLs users are not insane. Well… most of them are not. But they are ‘special people.’ And not in the way your kindergarten teacher meant.

There are a lot of extreme individualists here, A lot of people with anger issues, and a lot of people with extremely strong preferences for things “polite society” looks strangely upon.

So now, my giant leap in logic is to assume this comes out in the shapes of avatars. Or more precisely, the inability to see when the shape is distorted and “wrong” on a scientific, anatomical level. People with a level of disconnect with socialization, end up less able to see when something which is a social cue is off-kilter. It doesn’t alienate them the same way it alienates “the masses.”

SL is a surreal freakshow to walk through most of the time. And I’m not talking about the art builds. But normal everyday everywhere SL. Its a freakshow looking at the tall spindly avatars with skinny unreal frames and giant butts, frowns, fish-lips, and so on.

I suspect this is very off-putting to so-called “normal” folks.

As long as we have these freakish avatars there’s visual alienation going on in SL. And not talking about the furries here… I’m talking about the Fashionistas. The 7-foot tall legs up to the sky but skinnier than a pencil with a rear end the size of Texas…

Consider that slight high pitched whine coming out of electronics when something in the frequency is just a tad off. Over a few hours of sitting around it, you can get a headache, and then you start to get moody, you start to lose focus on what you were up to, and maybe you end up leaving or not getting something done, or having an argument with someone there… and while you think it was because of what they did, or because you didn’t sleep well, or you had other things on your mind… it all came back to that little whine jolting you slightly out of your comfort zone.

People can look at furries, aliens, animals, cartoon characters, and so on – and accept its different and -MEANT TO BE DIFFERENT-. They then jump into or away from it or don’t care. But when they look at something meant to be identifiably human and alike to them, but its got this ‘low key something is off’ about it. Something they can see, but lack training to explain…
– They get tossed out of their comfort zone. Over time the annoyance builds up, and then they give up.

Having tried some MMOs with bad 3D models before, and being slightly art-trained, I’ve a keen sense for when “the look isn’t right” and knowing why. Most people can get the first half of that – feel its not right. But not the why. But I’ve seen some things rapidly lose their audience because the visual was not right. Other things may have subpar content, but capture amazing audiences because the visual is tight and iconic.

SLs visual is off.

The anatomy is so poor, and the avatars so often off… and I suspect this is one major and yet largely unrecognized reason for the poor retention of new users.

But the solution (assuming you believe my idea is somewhat correct)… that’s going to take one person at a time, until a critical mass is reached. And its unlikely to occur anytime soon.

If you start with good body proportions:

http://catnapkitty.wordpress.com/2011/06/15/getting-good-body-proportions-in-second-life/

literally -EVERYTHING ELSE- just falls into place.

  • Animations from motion capture work better (but those made inside of SL with anypose work worse).
  • You get more land usage back
  • Your mesh costs less Land Impact when scaled down
  • Your avatar starts to feel more ‘real’ looking and so more comforting, even when its a furry.
  • You get to lecture people about not being a child avatar. :p
  • You stop alienating the noobs, newbs, and others around you with your wacky anatomy. :p

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